James Melo (Musicologist) has written extensively for scholarly journals and music magazines in Brazil, Uruguay, the United States, and Austria, and has been invited to participate as a panel discussant in conferences in Indiana, New York, and Canada. He has written program notes for several concerts at Carnegie Hall and Lincoln Center, and for over 70 recordings on the Chesky, Naxos, Paulus, and Musikus labels, among others. He is the New York correspondent for the magazine Sinfónica in Uruguay, reviewer of music iconography for the journal Music in Art, and senior editor at RILM (Répertoire International de Littérature Musicale) at CUNY. In March 2005, he chaired a session in the conference Music and Intellectual History, organized by the Barry Brook Center for Music Research and Documentation (CUNY), and presented a paper on the history of musicological research in Brazil. He received a grant from the Paul Sacher Stiftung in Basel, Switzerland, where he conducted research on the manuscripts of Anton Webern.
Mr. Melo is the program annotator for the recording of the complete piano music of Villa-Lobos and Camargo Guarnieri on Naxos. In 2006 and 2007 he collaborated with the Montréal Chamber Music Festival as musicologist and program notes writer. In March 2008, he chaired a session on music iconography in Brazil and Portugal in the conference Music, Body, and Stage: The Iconography of Music Theater and Opera at CUNY Graduate Center. He was the scriptwriter for Seduction, Smoke and Music, performed at The Tuscan Sun Festival in Cortona in the summer of 2011, with Jeremy Irons as Chopin and Sinéad Cusack as George Sand. Mr. Melo is the program annotator for the National Philharmonic in Strathmore, MD, and is on the piano and musicianship faculty at the Diller-Quaile School of Music in New York City